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BEGIN:VEVENT
UID:6b6d49d9-457c-4d0e-9363-a8659231a4cf
DTSTAMP:20260415T192956Z
CATEGORIES:ECCM-eng
CLASS:PUBLIC
DESCRIPTION;ALTREP="CID:<FFFF__=0ABBE548DFE235B58f9e8a93d@coffeebean.com>":
 ULYSSES JOURNEYS FOR LIVE ELECTRONICS COMPOSING VOL 1. by Studio Tallinn 1
 965\, Erica Synth and ensemble EMA\nLive electronics has become an essenti
 al tool for music making for (not only) the younger generation of musician
 s worldwide. It has contributed to democratization of music making\, allow
 ing people with no classic education of interpreters or composing to stage
 s in various genres. !It has also contributed a lot to the group of 'hybri
 d' performer/composer to emerge both on the underground experimental and a
 lso 'classical' contemporary music scene. Yet in the contemporary music sc
 ene composing for performers with live electronics especially for live ele
 ctronic ensembles is still not very widely spread among classically educat
 ed composers. It is mainly due to a certain conservative mindset in some c
 onservatories but mainly also because of a lack of qualified teachers in t
 he field yet of good knowledge-base and experience in both working with li
 ve electronic compositions and performance practice. The workshop led by E
 MA in partnership with Erica Synths is designed for composers who want to 
 dive into composing for live electronics ensemble\, encouraging composers 
 with no previous experience on the field as well as the ones with some exp
 erience to join. \n“Tallinn 1965” is an open experimental\, multifunctiona
 l analog music studio. Alongside modern phonics\, analog devices from deca
 des ago are also put to work for recording sounds (professional old-time s
 tudio tape recorders) as well as creating music (classical oscillators\, f
 ilters\, echo machines). We approach music through the concrete artifacts 
 and technological layers that range from hardware to software processes th
 at have been part of the circulation of time and memory that condition the
  knowledge\, but also the perceptions\, and the sensations. \nAcclaimed en
 semble EMA (Estonian Electronic Music Society's Ensemble) was founded in 2
 017 and currently consists of 5 musicians with different classical educati
 on backgrounds (composition\, different interpretation studies) as well as
  with backgrounds from various experimental music scenes. Ensemble has bee
 n active performing and composing live electronic works and has lead sever
 al workshops addressing related problems including: notation for electroni
 c music\, technical setups\, sound synthesis\, etc. www.emamusic.ee \n \nT
 opics of the workshop \n-Live electronic instrument. What is it? How to de
 fine it\, how to classify? \n-Sound design as one of the key issues of wor
 king with electronics. Challenges of how to find a common ground between c
 omposer and performer in composing for 'unknown' nonstandardized instrumen
 tarium \n- Different notation options for compositions with live electroni
 c performance \n-Technical obstacles working with electronic setups. Mappi
 ng possibilities\, challenges \n- Syncing performers in real time. Options
  of different metronomes\, Vclick app \nSchedule \nMarch 22 \nSession 1. 1
 6.00 - 19.00 \nIntroduction\, -Live electronic instrument. What is it? How
  to define it\, how to classify Particularities of different performance d
 evices? \nSound design as one of the key issues of working with electronic
 s. Challenges of how to find a common ground between composer and performe
 r in composing for 'unknown' nonstandardized instrumentarium. \nSession 2.
  10.00 - 13.00 \nContinuation of previous session topics\, Different notat
 ion options for compositions with live electronic performance. \nSession 3
 . 15.00 - 18.00 \nTechnical obstacles working with electronic setups. Mapp
 ing possibilities\, challenges. Syncing performers in real time. Options o
 f different metronomes\, Vclick app \nMarch 24 \nSession 4. 10.00 - 13.00 
 \nAnalyzing scores\, conclusions\, brainstorming roundtable \nULYSSES JOUR
 NEYS FOR LIVE ELECTRONICS COMPOSING VOL 2. \nWorkshop will take place from
  May 8-10 2026 in ECCM Tallinn at Studio Tallinn 1965. \nThis workshop is 
 a hands-on laboratory with EMA (Estonian Electronic Music Society Ensemble
 ) for development of material brought by participants. 6 participants are 
 chosen with an open call. The participants present their preliminary ideas
 \, sketches\, conceptions to address questions of conception\, sound desig
 n and instrumentation. \nThe call is open March 25 to April 8.2026. 
DTSTART:20260322T145600Z
DTEND:20260324T140000Z
GEO:+56.960655;+24.080925
LOCATION:Erika Synth\, Riga
ORGANIZER;CN=:info@eccm.ee
SEQUENCE:1
SUMMARY:ULYSSES JOURNEYS
TRANSP:OPAQUE
URL:http://www.eccm.ee/index.php/et/syndmusest/moeoedunud-suendmused/81-uly
 sses-journeys-for-live-electronics-composing-vol-1
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